The digital revolution is igniting a surge of innovation and entrepreneurship across the globe, and Africa is no exception. The rapid adoption of digital technology on the continent is transforming how young people connect with the world, giving them the tools to shape their own narratives and share their stories.

One notable figure in this movement is Trevor Stuurman, a South African visual artist and photographer. He is harnessing digital platforms to tell African stories through his work in photography and film. His project, “The Manor,” stands as a testament to how digital technology can be utilized to preserve and celebrate African heritage.

Describing “The Manor,” Stuurman notes, “We aimed to document stories that might be forgotten and create a platform for diverse voices.” He views it as a space where many can gather and express themselves.

Raised in Kimberley, South Africa, Stuurman’s formative years significantly influenced his artistic journey. At just 19, he earned the Style Reporter award from Elle Magazine, a pivotal achievement that launched his creative career. By 2021, he was recognized as one of Time Magazine’s Next Generation Leaders and has since received numerous accolades for his artistic contributions. His work includes collaborations on global projects, such as Beyoncé’s The Lion King album, which visually celebrates Afrocentricity and the richness of African identity.

Stuurman also played a crucial role in the promotional campaign for “Coming to America 2,” documenting key visuals for the Uoma Beauty line. Reflecting on this experience, he remarked, “It was important to showcase our everyday lives and expressions, making them part of mainstream culture.”

As part of a new generation of African creatives, Stuurman is dedicated to amplifying African voices and narratives. This aligns with a broader movement across the continent to reclaim agency in storytelling. “We simply need to tell our authentic stories. If they’re genuine, the audience will find us,” asserted Nigerian designer Nkwo Onwuka during the launch of a UNESCO report on Africa’s fashion sector.

Launched in 2023, “The Manor” quickly gained international acclaim, being recognized by National Geographic as one of the top cultural hotspots for 2024. Stuurman sees this recognition as validation of their efforts: “The reception has surpassed our expectations.”

Reflecting on his career, he shared, “What we do isn’t new; we’ve always engaged in this work but never formalized it. Now, we’ve created our own platform instead of merely seeking a seat at the existing tables.”

Stuurman’s dedication to Pan-Africanism is evident in his collaborative approach. “We embrace Pan-African stories and foster collaboration, not as a strategy but as part of who we are. Based in South Africa, we actively work with storytellers from across the continent.”

Looking ahead, he is excited about future projects, including the opening of a permanent “The Manor” space in Johannesburg, complete with a full schedule of exhibitions and activities. He also teased an upcoming project titled “Reflecting B(l)ack.”

The proliferation of digital technology among African youth allows for unprecedented expression of identities, creativity, and opinions, breaking down traditional barriers in mainstream media. Stuurman’s vision for African visual storytelling is infused with hope and ambition.

“I see Africa as one of the most exciting places in the world. I aspire to observe and document it so future generations will have reliable sources and better reference points.”