Gospel Singer Sinach Faces ₦5 Billion Lawsuit Over Copyright Infringement

Nigerian gospel artist Osinachi Kalu Okoro Egbu, popularly known as Sinach, is facing a ₦5 billion lawsuit filed by music producer Michael Oluwole, also known as Maye. The case revolves around allegations of copyright infringement regarding Sinach’s globally acclaimed song Way Maker.

Through his counsel, Justin Ige of Creative Legal, Oluwole claims to have contributed significantly to the production of Way Maker. He alleges that he worked as a studio engineer, recording, mixing, and mastering the song. He further asserts that he created and performed instrumental accompaniments, including piano, strings, and synthesizers, which were incorporated into the track without a formal agreement or compensation.

Oluwole contends that Way Maker was commercially released in December 2015, featuring his instrumental contributions. He accuses Sinach of granting licenses for the song and benefiting financially without sharing proceeds. According to him, these actions amount to deliberate and oppressive conduct.

In response, Sinach, through her counsel Emeka Etiaba (SAN) of Etiaba Chambers, has refuted the claims. She asserts that she achieved global recognition before Way Maker and maintains sole authorship of the song. Sinach explained that the song was composed, arranged, and performed with the collaboration of other artists, including Nwabude Chude Arinze, prior to Oluwole’s involvement.

Sinach’s legal team emphasizes that Oluwole’s role was limited to mixing the master recording, for which he was paid $300. They argue that there was no requirement to establish a written agreement and that Oluwole is not entitled to performer’s rights, copyright, or publishing royalties.

Way Maker has been a monumental success in the gospel music scene. It became the first Nigerian gospel song to surpass 100 million views on YouTube in March 2019 and has won numerous awards, including the GMA Dove Award for Song of the Year. The song has been translated into over 50 languages and covered by more than 60 Christian artists, such as Michael W. Smith and Bethel Music.

In 2020, the track was one of the most-played songs in U.S. churches and became an anthem during the Minneapolis protests honoring George Floyd. As the case unfolds, it is expected to set a significant precedent for intellectual property disputes in Nigeria’s music industry.